Flash the flesh: why dressing sexy is back in fashion | Fashion

Flash the flesh: why dressing sexy is back in fashion | Fashion

Sex never goes out of fashion. The survival of the human race depends on it, for starters, so like sleeping and eating, sex isn’t going anywhere. But sexy? Sexy is different. Sexy has been kind of off-message, fashion-wise, for the past few years. Sexy has been uncool.

But lately sexy is, in the words of Justin Timberlake, very much back. The milkmaid dresses of summer are being mothballed in favour of corsets worn under your blazer (see Alexa Chung in a corset dress under leather jacket at Miu Miu’s Paris show) or thigh-high boots with your miniskirt, as seen on Kate Moss on the Tommy Hilfiger front row in New York. After a decade of flat shoes, the slingback kitten heel is a-dangling from bar stools everywhere. Where last year’s hot party-season look was a pair of fancy pyjamas, 2022 is all about the return of the cocktail dress.

The past decade in fashion has been bookended by the sleek minimalism of Old Céline – a funnel-neck knit, a wide-legged pant, a silhouette that hinted only obliquely at the body beneath – and Gucci’s baroque maximalism: nerdy tailoring under piles of bling, or costume-drama lace blouses with tracksuits. It was never really about sex appeal. Two powerful recent trends have been streetwear, which inclines toward the oversized, and athleisure, which presents the body as functional and pure, even when the clothing is skintight. For a long stretch, wholesomeness was the height of sophistication.

But now, the body is back. A glimpse of a lace bra is as much of an up-to-the-minute style touch as an extra huggie hoop or two on an earlobe. The fashion search engine Tagwalk reports that over the most recent round of fashion weeks, 59{cfdf3f5372635aeb15fd3e2aecc7cb5d7150695e02bd72e0a44f1581164ad809} of collections included visible lingerie. Waists are cinched with belts for the first time in years. There is even such a thing as – wait for it – a brunch bustier, to be worn with low-slung jeans while you flirt with the waiter.

“I wanted it to be sexy again,” Stella McCartney told me after her most recent Paris catwalk show, which featured Bella Hadid in a catsuit that looked like the supermodel had been caught in a skintight, crystal-studded fishing net – with matching high heels. “I wanted to bring clothes back into the body, because fit is the key to making it sexy.”

Model in black panelled leggings and faux leather blazer
Black panelled leggings: Mugler from Selfridges. Vegan leather blazer: Nanushka

Victoria Beckham, who for a decade flew the flag for the pussy-bow blouse and midi-skirt as a date-night outfit, has pared back the layers when dressing both herself, and her catwalk models. “Suddenly it doesn’t feel modern, to be buried under all that wardrobe,” she said, as she put the finishing touches to a Paris collection that was suspended from the flimsiest of spaghetti straps and teetered on high sandals.

When I popped in to designer Roksanda Ilinčić’s east London studio a few days before her catwalk show, she pulled from the rail a series of gowns with bite-size cut-outs edged with padded silk tubing, framing glimpses of erogenous zones: a hipbone, a slice of thigh, the small of the back. “I wanted it to be sexy, this season,” she said.

Sexy went out of fashion because it had become a descriptor for a specific, narrow aesthetic. Sexy was shiny blow-dried hair and waxed, smooth skin everywhere else. It was cleavage and a flat tummy. It was pert and pouty and perma-tanned. Sexy was pitched squarely at the male gaze, averting its fluttering lashes from the eyerolling of the sisterhood. In other words, sexy just didn’t look modern. And looking modern is literally what fashion is all about.

And then came the pandemic, which most of us would agree was a low point for erotica. Without the prospect of a party or a date night or even after-work drinks, we swapped underwired bras for chaste-but-comfy bralettes. With nothing more thrilling than a box set on offer, we embraced elasticated waists as evening wear. The pandemic wardrobe reached its antiseptic nadir with the “nap dress”, a comfortable-enough-to-snooze-in, work-from-home look which encouraged grown women to spend their lockdown days dressed like sickly Victorian children.

There is no clearer sign that sexiness is back in fashion than the return of the push-up, padded or underwired bra. At John Lewis, sales of wired bras are up 45{cfdf3f5372635aeb15fd3e2aecc7cb5d7150695e02bd72e0a44f1581164ad809} year on year, while soft bras are down 33{cfdf3f5372635aeb15fd3e2aecc7cb5d7150695e02bd72e0a44f1581164ad809}. Kim Kardashian’s Skims brand, which galloped to a $3.2bn valuation in just three years by cornering the market in zeitgeist-undies, has recently launched underwired alternatives to its signature soft, seamless styles.

Bras are a flashpoint in sexual politics. The tagline of Wonderbra’s 1994 billboard campaign, starring Eva Herzigova, was “Hello Boys”, which made it pretty clear for whom the cantilevered cleavage on show was designed. The post-#MeToo downfall of Victoria’s Secret, the lingerie brand whose televised catwalk show went from 12.4 million viewers in 2001 to just 3.3 million in 2018 – and was cancelled the following year – was thanks in large part to its obsession with upholstered cleavage on a zero-body-fat frame falling out of step with a culture that was gradually embracing body diversity.

But in 2022, sexy doesn’t come with a waist measurement or a cup size. In high-fashion circles, a visible nipple – or Schiaparelli’s risqué-but-not-actually-rude gold breastplate, as worn by Lorde on the cover of Vogue – are a haute alternative to the push-up bra. Actor Florence Pugh and her Don’t Worry Darling director Olivia Wilde don’t agree on much, by all accounts, but they are united in their love for going bra-less under a sheer evening dress: Pugh in tissue-fine hot pink at Valentino’s haute couture show in Rome, and Wilde in a Tinkerbell-wisp of Alexandre Vauthier at the Academy Museum of Motion Pictures in LA.

“I’m grateful that I grew up in a household with strong, powerful, curvy women. We were raised to find power in the creases of our body,” Pugh wrote in an Instagram post responding to the trolls who criticised her for baring “two cute little nipples”.

Miuccia Prada, whose Miu Miu miniskirts have helped drive a short-skirt revival, told Harper’s Bazaar that they were intended to “invent a new way of being beautiful or sexy – not going with the cliche of it, but inventing your own way.” The most iconic image of the belt-sized Miu Miu skirt was not Hailey Bieber in the ad campaign, Zendaya in Interview magazine, Naomi Campbell in W, or even Nicole Kidman on the cover of Vanity Fair, but plus-size supermodel Paloma Elsesser on the cover of i-D. “I am sexy on my own terms,” Elsesser said at the time.

Designer Nensi Dojaka, 29, has become the go-to name in party dresses for London’s coolest It girls, with an unapologetically sexy aesthetic. Think bra-tops, heart-shaped cut-outs, belly chains, lace trims and sheer panels. The kind of clothes that, traditionally, were a fashion showcase for a very specific trophy body. But along with the ultra-slender Emily Ratajkowski and Sacha Quenby, this season’s models included Elsesser and Jill Kortleve, who is a UK size 12.

Model in Pink and red strappy dress
Pink and red dress: Nensi Dojaka from mytheresa.com

The new sexy is joyful. In a year of relentlessly bleak world events, Rihanna’s maternity wardrobe – bump dripping with crystals, or draped in red lace – was a hit of happiness. At seven months pregnant, she was partying in a black leather miniskirt and thigh-high boots; a month pre-partum, she was out for dinner in a hot pink minidress with turquoise feather trim and a matching feathered clutch. She was glorious, goddess-like, and unashamedly, unapologetically sexy.

The new sexy is for fun, not for show. “Today, ‘sexy’ is the same word but with another value,” designer Stefano Gabbana told Vogue recently. “In the 90s, you’d dress sexy for other people. Now, the new generations dress sexy for themselves, because they love it. It’s kind of a new hedonism.”

It is four years since Christopher Kane launched his More Joy range, which uses the typeface of the 1972 lovemaking manual The Joy of Sex on socks, mugs and bath mats, as well as knickers. In a relentlessly bleak news cycle, More Joy has found a clientele who see it not just as a brand but as a mantra. “Sex is part of life and it is important that it’s celebrated and talked about,” he says. “Pleasure brings joy.”

For Kane, whose most recent show went full throttle on thigh-high splits and sparkly bra-cups, inclusive is essential to modern sexiness. “As body positivity and diversity are becoming rightfully more prominent in fashion … sexy dressing has changed for the better,” he told Vogue. “Anyone and everyone can be sexy.” As Paris Hilton would have said: that’s hot.

Styling: Melanie Wilkinson. Makeup: Carol Morley at Carol Hayes Management. Hair: Rom Sartipi

10 ways to be sexier, with very little effort

Go bare-legged. For as long as you can
Don’t ask us why it looks sexier – bare skin is just a bit more animal, isn’t it? It will dictate what you wear (a longer skirt, mid-calf or more, with boots and hardy socks) but think of it as a doable way to flash the flesh without getting too cold.

If you must wear tights, go low
If going bare-legged is unthinkable, a pair of low-denier tights (20 or so) looks just as hot. Avoid colours, patterns unless they’re polka dots, anything over 60 denier, and fishnets unless you’re Julia Fox. As an aside, hold-ups are miles better than they used to be (M&S ones have a properly sticky band at the top so they don’t slip down) and deeply sexy.

Follow the unbutton rules
With buttons, it’s simple. Women should unbutton up to three (the last should sit just above your bra line) to give you a nice slice of Zoom-friendly décolletage. Men, try undoing one, or two at a stretch, but no more. You’re not a Bee Gee.

Try a not-so-naked dress
Naked dressing – a full-length dress in a sheer fabric, through which you can see your underwear (assuming you’re even wearing any) – is this year’s party mini. If you’re not game – and frankly, who is? – try a full-length jumper dress. It’s warmer, and if it’s fitted, you get the same level of body suggestion without actually flashing your knickers.

Gold jewellery
It’s just camper, ergo sexier, than silver.

Try wearing a bodysuit
What you wear underneath your clothes but over your underwear can make a huge difference to your silhouette (it just smooths things out, whatever your body shape) which in turn affects how you feel in your clothes which – yes – can make you feel sexier. A bodysuit with legs (Skims does a good one) or a not-too-tight slip dress (try M&S) can do wonders for your self-esteem.

Try a PG-rated lipstick
Red lipstick requires a certain lifestyle. Try wearing a lip colour that’s one shade darker (not lighter) than your own. It won’t look as if you’re wearing colour but acts as a great filler. Boots No7 has good shades in plum and raspberry that last the course.

Put Vaseline on your eyelids, and cheekbones
The first makes your eyes pop. The second helps accentuate your “natural scaffolding”. One of the few makeup tricks that lasts from day to night, yet works for both.

Moisturise your ankles
If your preferred uniform is trousers, socks and shoes or boots, apply a heavy-duty moisturiser on your ankles each morning. When you sit down, and your trousers ride up, it’s the bit of leg you’ll show.

Don’t wear pyjamas
Laughable perhaps, but trust us when we say a long nightdress – try something sleeveless in black or white, or chinoiserie rather than chintz (try skinworldwide.com) – with a dressing gown is just as cosy a double act, and so much sexier.
Morwenna Ferrier

Paris Fashion Week Spring-Sumer 2022 Highlights: Designers presented a new sexy summer dresscode

“Back to business” might have been the way to describe the latest edition of Paris Fashion Week if the clothing on display hadn’t been so wonderfully inappropriate for most traditional workplaces.

Locking in a trend that began to take hold in the preceding fashion weeks in New York, London and Milan, sexy, barely-there designs made an appearance at numerous runway shows and presentations. Hemlines were high and midriffs were exposed as designers laid bare parts of the body that many of us have kept wrapped up in loungewear during the ongoing Covid-19 pandemic.

The nineties and early noughts also continued to dominate, with many labels offering their high-fashion take on the often questionable street style of a generation of flip phone users. (Scroll for Miu Miu’s take on the “is it a belt or is it a skirt?” mini).
And while previously seen themes relating to public health, lockdown and uncertainty were largely abandoned this season, the week closed out with an emotive tribute to the late designer Alber Elbaz, who died of Covid-19 in April, reminding attendees that the pandemic is far from over.

Read on for more impressions from Paris Fashion Week.

Big shows are back

A model walks the runway during the Balmain Festival as part of Paris Fashion Wee at La Seine Musicale.

A model walks the runway during the Balmain Festival as part of Paris Fashion Wee at La Seine Musicale. Credit: Anthony Ghnassia/Getty Images

Doja Cat performs on stage during the Balmain Festival.

Doja Cat performs on stage during the Balmain Festival. Credit: Anthony Ghnassia/Getty Images

Another scene from the Balmain Festival.

Another scene from the Balmain Festival. Credit: Anthony Ghnassia/Getty Images

After months of pandemic-related disruption, more brands than ever chose to return to the physical show format and some of them went big — no more so than the French luxury house Balmain. To celebrate creative director Olivier Rousteing’s 10-year anniversary with the brand, an enormous show was staged within Paris’ La Seine Musicale on a river island, in the western suburbs of the city. The two-day event was part music festival, part collection unveiling. The runway show opened with a pre-recorded audio message from Beyoncé, praising Rousteing’s efforts to “to keep pushing that door open wider, making sure that others can also have opportunities for reaching their dreams” throughout his career.

Meanwhile, Parisian fashion staple Saint Laurent returned to its show venue of choice, the Eiffel Tower, and Chanel sparked joy on Tuesday with an event that took the catwalk show format back to the ’80s, when models would prance and twirl down the runway to the delight of shouty photographers who flanked the stage. In the show notes, the brand’s creative head, Virginie Viard, wrote that she used to “love the sound of flashbulbs going off at the shows in the eighties” and she wanted to recreate that atmosphere for today.

Saint Laurent returned to its usual show location to present SS22.

Saint Laurent returned to its usual show location to present SS22. Credit: Pascal Le Segretain/Getty Images

Chanel to the show format back to the '80s for its SS22 event.

Chanel to the show format back to the ’80s for its SS22 event. Credit: Victor Boyko/Getty Images

Balenciaga arguably grabbed the most headlines when it brought the characters of “The Simpsons” to fashion week, thanks to a 10-minute episode crafted exclusively for the brand. The episode was screened live at the Théâtre du Châtelet after a red carpet event that surreptitiously seeded the new collection amongst editors, buyers, models, celebrities and friends of the house.
On the subject of the return of the fashion spectacle, Rick Owens, who put on his first show in Paris since the start of the pandemic, told CNN Style, “Everybody is going to want to flex. Everyone is going to want to show that they are stronger than ever, that they’re more powerful than ever. It’s a little horrifying, but I get it.”
Balenciaga put its latest collection straight onto the red carpet.

Balenciaga put its latest collection straight onto the red carpet. Credit: Ik Aldama/picture-alliance/dpa/AP

US rapper Cardi B poses for photographs as she presents a creation for Balenciaga during the Women's Spring-Summer 2022 Ready-to-Wear collection fashion show in Paris, as part of the Paris Fashion Week, on October 2, 2021. (Photo by Christophe ARCHAMBAULT / AFP) (Photo by CHRISTOPHE ARCHAMBAULT/AFP via Getty Images)

US rapper Cardi B poses for photographs as she presents a creation for Balenciaga during the Women’s Spring-Summer 2022 Ready-to-Wear collection fashion show in Paris, as part of the Paris Fashion Week, on October 2, 2021. (Photo by Christophe ARCHAMBAULT / AFP) (Photo by CHRISTOPHE ARCHAMBAULT/AFP via Getty Images) Credit: Christophe Archambault/AFP/Getty Images

PARIS, FRANCE - OCTOBER 02: (EDITORIAL USE ONLY - For Non-Editorial use please seek approval from Fashion House) Elliot Page poses on the runway during the Balenciaga Womenswear Spring/Summer 2022 show as part of Paris Fashion Week at Theatre Du Chatelet on October 02, 2021 in Paris, France. (Photo by Peter White/Getty Images)

PARIS, FRANCE – OCTOBER 02: (EDITORIAL USE ONLY – For Non-Editorial use please seek approval from Fashion House) Elliot Page poses on the runway during the Balenciaga Womenswear Spring/Summer 2022 show as part of Paris Fashion Week at Theatre Du Chatelet on October 02, 2021 in Paris, France. (Photo by Peter White/Getty Images) Credit: Peter White/Getty Images

Rick Owen's wife, the formidable Michèle Lamy opened his show in Paris.

Rick Owen’s wife, the formidable Michèle Lamy opened his show in Paris. Credit: Ik Aldama/picture-alliance/dpa/AP

Climate-friendly fashion

British designer Stella McCartney, well known for her early and consistent dedication to sustainable fashion design, made the last-minute decision to stage a show in Paris after holding a series of virtual events during the height of the pandemic. Set within a trippy modernist building designed by Brazilian architect Oscar Niemeyer, the show opened with a voiceover by mycelium expert Paul Stamets, who starred in 2019 documentary “Fantastic Fungi” about the healing, regenerative and sustainable properties of mushrooms, declaring that,”In fashion, mushrooms are the future.” On the runway, the brand presented its latest “leather” handbag made with Mylo, a trademarked material derived from mushrooms, developed by Bolt Threads. The new collection was made from 63{cfdf3f5372635aeb15fd3e2aecc7cb5d7150695e02bd72e0a44f1581164ad809} eco-friendly materials, according to a press release.

Stella McCartney showed her SS22 in an impressive Oscar Niemeyer-designed dome.

Stella McCartney showed her SS22 in an impressive Oscar Niemeyer-designed dome. Credit: Ik Aldama/picture-alliance/dpa/AP

PARIS, FRANCE - OCTOBER 04: (EDITORIAL USE ONLY - For Non-Editorial use please seek approval from Fashion House) A model walks the runway during the Stella Mc Cartney Spring/Summer 2022 show as part of Paris Fashion Week on October 04, 2021 in Paris, France. (Photo by Kristy Sparow/Getty Images)

PARIS, FRANCE – OCTOBER 04: (EDITORIAL USE ONLY – For Non-Editorial use please seek approval from Fashion House) A model walks the runway during the Stella Mc Cartney Spring/Summer 2022 show as part of Paris Fashion Week on October 04, 2021 in Paris, France. (Photo by Kristy Sparow/Getty Images) Credit: Kristy Sparow/Getty Images

At Louis Vuitton, where a series of elaborate headpieces and eyewear stood out amid a rich, heavily layered collection, a protester stormed the runway with a sign reading “Overconsumption = Extinction,” before being removed by security. Suspicious minds wondered if the brand was in on the stunt, but Louis Vuitton declined to comment on the incident.

A model walks the runway during the Louis Vuitton SS22 show.

A model walks the runway during the Louis Vuitton SS22 show. Credit: Pascal Le Segretain/Getty Images

A model walks the runway during the Louis Vuitton SS22 show.

A model walks the runway during the Louis Vuitton SS22 show. Credit: Pascal Le Segretain/Getty Images

A demonstrator is evicted by a security member at the Louis Vuitton show.

A demonstrator is evicted by a security member at the Louis Vuitton show. Credit: Christophe Archambault/AFP/Getty Images

Marine Serre, one of France’s most promising young designers, continued to prioritize conscious design with her latest collection, which she presented via a short film. As a starting point for this season, Serre wrote in the show notes that she wanted to imagine “what the future could look like if we were to change our habits and think more deeply about the food we eat, the way we move through life and the clothes we wear.” According to the brand, the collection was made from 45{cfdf3f5372635aeb15fd3e2aecc7cb5d7150695e02bd72e0a44f1581164ad809} recycled and 45{cfdf3f5372635aeb15fd3e2aecc7cb5d7150695e02bd72e0a44f1581164ad809} regenerated materials, making this its most sustainable effort yet.

A still from Marine Serre's latest digital film.

A still from Marine Serre’s latest digital film. Credit: Marine Serre

Eve Powell-Jobs, daughter of the late Steve Jobs, walks the runway during the Coperni SS22 show.

Eve Powell-Jobs, daughter of the late Steve Jobs, walks the runway during the Coperni SS22 show. Credit: Peter White/Getty Images

The return of sexy

In a stark departure from low-key pandemic dress codes, overtly sexy outfits were seen everywhere. Chanel presented a series of ’90s inspired black-and-white swimsuits, while Miu Miu offered up low-slung miniskirts reminiscent of the ones worn by Paris Hilton and Nicole Richie at the height of their “The Simple Life” fame.

Miu Miu SS22.

Miu Miu SS22. Credit: Shutterstock

Chanel SS22.

Chanel SS22. Credit: Lucas Barioulet/AFP/Getty Images

Lacoste SS22.

Lacoste SS22. Credit: Stephane Cardinale/Corbis/Getty Images

Chloé SS22.

Chloé SS22. Credit: Kristy Sparow/Getty Images

Lacoste, Valentino and Chloé all presented belly-baring looks, and Stella McCartney had fun with cutouts in her breezy collection.

Valentino SS22.

Valentino SS22. Credit: Peter White/Getty Images

Stella McCartney SS22.

Stella McCartney SS22. Credit: Ik Aldama/picture-alliance/dpa/AP

Diversity did not prevail

While sexy was back it, seems it was back only for those with tiny, traditionally model-esque frames. Disabled people, older models, and plus-size figures were visibly underrepresented throughout the week in what felt like a step backward for the industry.

Devil in the details

This season’s sense of optimism was reflected in a number of whimsical details spotted throughout the week. At Loewe, a series of delightful heels shaped as nail varnish bottles, birthday candles and cracked eggs were a welcome surprise within a collection the brand’s creative director Jonathan Anderson described as “neurotic, psychedelic, completely hysterical,” in the show notes.
A detail from Loewe's SS22 collection.

A detail from Loewe’s SS22 collection. Credit: Peter White/Getty Images

PARIS, FRANCE - OCTOBER 01: (EDITORIAL USE ONLY - For Non-Editorial use please seek approval from Fashion House) A model, shoe detail, walks the runway during the Loewe Womenswear Spring/Summer 2022 show as part of Paris Fashion Week on October 01, 2021 in Paris, France. (Photo by Peter White/Getty Images)

PARIS, FRANCE – OCTOBER 01: (EDITORIAL USE ONLY – For Non-Editorial use please seek approval from Fashion House) A model, shoe detail, walks the runway during the Loewe Womenswear Spring/Summer 2022 show as part of Paris Fashion Week on October 01, 2021 in Paris, France. (Photo by Peter White/Getty Images) Credit: Peter White/Getty Images

Models walk in the Loewe spring 2022 fashion show in Paris, Oct. 1, 2021. In a fog of mystery, disco and breastplates at Rick Owens, Chloé, Raf Simons and Loewe at Paris Fashion Week. (Valerio Mezzanotti/The New York Times)

Models walk in the Loewe spring 2022 fashion show in Paris, Oct. 1, 2021. In a fog of mystery, disco and breastplates at Rick Owens, Chloé, Raf Simons and Loewe at Paris Fashion Week. (Valerio Mezzanotti/The New York Times) Credit: Valerio Mezzanotti/The New York Times/Redux

Neon eyeliner cut across the eye like mini lightning bolts at Chloé, while a chic double flick was seen on models in the Dior show. Schiaparelli provided an alternative for rainy summer days with its playful umbrella hat, paired with a striped, long-sleeved bodysuit.

Neon tangerine details at Chloé.

Neon tangerine details at Chloé. Credit: Victor Virgile/Gamma-Rapho/Getty Images

Double flicks at Dior.

Double flicks at Dior. Credit: Victor Virgile/Gamma-Rapho/Getty Images

Shiaparelli SS22.

Shiaparelli SS22. Credit: Daniel-Roseberry/Schiaparelli

Farewell to a friend of the fashion industry

After a week of joy-inducing collection unveilings, fashion week closed with an emotional tribute to one of the industry’s most beloved designers, Alber Elbaz, who died of Covid-19 in April, only months after launching his new brand, AZ Factory.

The "Love Brings Love" show in honor of Alber Elbaz yy AZ Factory.

The “Love Brings Love” show in honor of Alber Elbaz yy AZ Factory. Credit: Stephane Cardinale/Corbis/Getty Images

On Tuesday night the fashion industry came together at the grand hall of Le Carreau du Temple to witness a special tribute show. Aptly named “Love Brings Love,” the event brought together 45 of fashion’s most noted designers and houses including Valentino and Loewe, who each contributed one look to the show. It was their love letter to Elbaz, whose generosity and spirit touched many. “To me, Alber was heart, soulful and generosity,” Valentino’s creative director, Pierpaolo Piccioli, told CNN Style.

More from "Love Brings Love."

More from “Love Brings Love.” Credit: Laurent Vu/SIPA/Shutterstock

More from "Love Brings Love."

More from “Love Brings Love.” Credit: Anthony Ghnassia/Getty Images

The show opened with Elbaz’s longtime partner, Alex Koo, addressing the audience. “Alber would have been incredibly honoured to be surrounded by his peers, colleagues, collaborators, friends and family,” Koo said.

A look from Schiaparelli for "Love Brings Love."

A look from Schiaparelli for “Love Brings Love.” Credit: Anthony Ghnassia/Getty Images

“He touched the hearts of everyone he has met with humour and plenty of generosity. He made us laugh. He made us cry. And he made us dream. His dream was to reunite the best talents of our industry to celebrate love, beauty, and hope. And tonight, his dream becomes a reality.”

Top image: The finalé at Chloé